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L'EXTASE

AN ODE TO FEMININITY

With L’Extase, Nina Ricci opened a new chapter in 2015, setting free a new feminine dream.
A chapter that is both legitimate through its link to woman- hood, and bold through its expression.

With this new creation, Nina Ricci embraces the dream of a woman in tune with her most secret desires.
A woman of her time, she asserts the right to experience pleasure with all her senses.
The pleasure of being surprised, aroused, overwhelmed.

A woman’s erotic dream, an imaginary and carnal voyage to the core of her being, all the way to ecstasy: L’Extase.

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LES BELLES DE NINA

NINA & LUNA AN INITIATIC TALE

In 2016, Les Belles de Nina bring together Nina and Luna. It is a duo of fragrances, with exquisite curves and gourmand accents, to the cascading laughter and thrills of young girls, dedicated to life’s explorers. A tribe of women in the making, a myriad of girls full of promise, they have the aura and the energy of youth, evade compulsory figures, watching the horizon, stretching towards the unknown.

Plural, disarming, unpredictable. Free, vivacious, captivating. They enter life as if they were biting into an apple. Nina and Luna. Stronger together. Joining forces through tacit recognition, an unwavering bond that needs no words.

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HERITAGE COLLECTION

A TRIBUTE TO SAVOIR-FAIRE

Reflecting the couturier spirit of perfumery, Nina Ricci's five iconic fragrances have been celebrating the women of their time for more than 60 years. And Lalique has been a close partner in this story from the beginning. For his very first fragrance in 1946, Coeur-Joie, Robert Ricci called upon the expertise of Marc Lalique and his family's crystal works. In 1951, their shared vision of the role and importance of the fragrance bottle culminated with the design for L'Air du Temps, honored in 1999 as Bottle of the Century.

Born of that same creative spirit, the fragrances of the Heritage Collection by Nina Ricci are veritable works of art. Each bottle is crafted by artisans using traditional crystal-making techniques and undergoes more than a dozen finishing touches, all done by hand. These are genuine objets d'art whose excellence is matched only by the precious elixirs inside.

A rhapsody in crystal.

Coeur-Joie (1946), L'Air du Temps (1948), Fille d'Eve (1952), Capricci (1961) and Farouche (1974).

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